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Measures: 20 - 35
Unique Durations: 8-9
Unique Accidentals: > 4
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Baroque
Fugue I in C major, BWV 846 - Well Tempered Clavier [First Book]
Johann Sebastian Bach
1:48 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 1 6 8 95%
Bass 24 0 8 7 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 1 6 8 95%
Bass 24 0 8 7 86%
 
Vivaldi's Two Ellipses
Jayden Fung
1:00 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 14 0 2 2 95%
Violin
I		 Treble 23 1 8 8 76%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 14 0 2 2 95%
Violin
I		 Treble 23 1 8 8 76%
Violin
II		 Treble 21 1 5 8 71%
Violin Treble 11 2 3 10 48%
 
Prelude in C minor by J.S. Bach (BWV 549) for brass quintet
Nednedflanders
2:04 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 20 0 5 7 100%
B♭
Trumpet		 Treble 15 0 7 8 72%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 20 0 5 7 100%
B♭
Trumpet		 Treble 15 0 7 8 72%
Treble 14 0 5 7 72%
Trombone Bass 15 0 5 6 62%
Horn
in
F		 Treble 14 0 4 8 52%
 
HWV1A3N11 - Gönne nach den Thränengüssen mir
edward.maurath
1:31 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
Bassoon Continuo Bass 14 0 3 5 100%
Bass
as Raymondo		 Bass 17 0 5 8 75%
Oboe Treble 8 0 2 3 71%
 
Elisabeth Jacquet de la Guerre Allemande
pental
2:07 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 7 7 6 98%
Bass 28 2 8 8 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 7 7 6 98%
Bass 28 2 8 8 79%
 
K.208, Domenico Scarlatti
PreludeAndFugue
3:19 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 0 8 8 100%
Treble 19 30 6 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 0 8 8 100%
Treble 19 30 6 2 100%
 
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
Handel's Joshua No. 53 - Shall I in Mamre's Fertile Plain
Anonimasu1
2:48 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 37 6 8 92%
Bass 20 5 5 8 100%
Baritone Bass 16 0 4 9 77%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 37 6 8 92%
Bass 20 5 5 8 100%
Baritone Bass 16 0 4 9 77%
 
Magiskt Äventyr
ikbeneeninja
0:55 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 5 7 8 96%
Bass 22 7 4 7 98%
Oboe Treble 14 0 4 6 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 5 7 8 96%
Bass 22 7 4 7 98%
Oboe Treble 14 0 4 6 90%
 
Frescobaldi: "Toccata per l'Elevatione" (1635) - La Messa degli Apostoli
SpaceGuru5
3:12 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 22 0 9 9 92%
Treble 22 0 9 11 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 22 0 9 9 92%
Treble 22 0 9 11 92%
Bass 18 0 4 9 92%
Bass 18 0 4 9 92%
 
HWB 8-B Terpsicore - Sarabande
edward.maurath
1:50 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 34 7 5 100%
Bass 16 0 4 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 34 7 5 100%
Bass 16 0 4 5 100%
Basso Continuo Bass 16 0 4 5 100%
Contrabasses Bass 16 0 4 5 100%
Violas 15 0 4 5 100%
Violins
1		 Treble 19 0 6 9 100%
Violins
2		 Treble 16 0 5 7 100%
 
Frescobaldi: "Toccata per l'Elevatione" (1635) - La Messa della Madonna
SpaceGuru5
1:57 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 0 6 9 96%
Bass 18 0 6 9 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 0 6 9 96%
Bass 18 0 6 9 87%
 
"Prestami un solo dardo," from act 2 of Handel's 'Rodrigo,' HWV 5 (1707)
edward.maurath
4:25 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
Harp (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
Violoncello (Continuo) Bass 25 0 8 7 100%
Evaneo 15 0 5 6 97%
 
"Col tuo piede brilla amor" from "Il Pastor Fido," HWV 8 (3rd version)
edward.maurath
0:42 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 3 100%
Harpsichord Treble 28 28 10 8 84%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 3 100%
Harpsichord Treble 28 28 10 8 84%
Bass 15 0 4 3 71%
Harp Treble 25 25 7 8 83%
Bass 16 1 5 3 71%
Apollo 12 0 4 6 71%
Erato 14 0 3 8 71%
 
"Fatto crudo, Amor severo" from Il Pastor Fido, HWV 8 (1712)
edward.maurath
2:57 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 97 10 8 100%
Bass 26 62 6 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 97 10 8 100%
Bass 26 62 6 7 100%
Violoncello Bass 22 1 4 7 100%
Mirtillo 15 0 5 8 85%